Aug. 22, 2025
Make Believe Ballroom - 8/22/25 Edition
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This week's Make Believe Ballroom with Jeff Bressler brings you Classic Big Band Hits from the 30s and 40s - some Bing Crosby duets, a long-forgotten female vocalist, a battling composer, a couple of first-time-ever-recorded songs - plus many more great records and stories to cherish and enjoy on this week's program.
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It's make Believe ballroom time. Put all your cares away.
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All the bands are here to bring good cheer your way.
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It's make Believe ballroom time and free to everyone.
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It's no time to friend your Dalis.
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Said bombs, close your eyes.
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And vis you lie in your solitude.
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Your favorite bands are on this dance and mister Miller,
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but you're in the wood. It's make Believe ballroom time.
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We are a sweet romance. You make bot Come on.
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To the last dance last.
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Hello world, I'm Jeff Presler, turning on the lights of
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the Make Believe Ballroom and welcoming you into my Crystal
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studio for another program of classic big band hits from
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the nineteen thirties and nineteen forties. Please get ready as
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I play for you some amazing big band jazz, swing, blues,
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and boogie woogie favorites. Folks, you're listening to the Make
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Believe Ballroom, broadcasting almost continuously since nineteen thirty five. Hi, friends,
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and welcome into my Crystal studio for our usual assortment
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of great seventy eight RPM recordings, stories about the artists,
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and emails from our listeners. So to start, let me
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throw to you the first pitch of the game, and
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it's a strike right down the middle. With this great tune.
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Locker ro.
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On Victor Records when Buddha Smiles Benny Goodman and his Orchestra,
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recorded in Chicago, November the twenty second, nineteen thirty five.
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I give you folks a little baseball analogy about throwing
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the first pitch of the game before the Benny Goodman record,
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And well, let me tell you why. Carl Hubble. Carl
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Hubbell was a pitcher for the New York Giants later
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to become the San Francisco Giants, and Hubble was certainly
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one of the greatest pitchers of all time. For sure,
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his crowning achievement was most probably he had a number
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of crowning achievements, but I think his greatest achievement was
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in the nineteen thirty four All Star Game when in
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his hometown stadium of the Polar Grounds that was located
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in Harlem, New York, he struck out the first three
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batters in the first and the first two batters in
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the second innings. Now, if you're a baseball fan and
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know the history of the all time greats, Hubble in
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that first inning struck out Babe, Ruth Lou Garrick, and
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it was Jimmy Fox. And in the second inning, the
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first two batters in the second inning he struck out.
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I know it was Joe Cronin and Al Simmons. So
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they were not necessarily Simmons and Cronin, but certainly Ruth,
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Garrick and Fox were some of the greatest hitters of
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all time in baseball history. Now, again, if you're a
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of the sport, you know that in today's environment, if
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a pitcher can complete a full game, nine inning game,
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it's marked as a major achievement. But Carl Carl Hubble
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once pitched not nine innings, but eighteen scoreless innings and
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allowed only six hits to beat the Saint Louis Cardinals
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one nothing at the Polar Grounds. Now, I'm sure many
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of the Big Band's greatest musicians and vocalists of the
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time talked about Carl Hubble's all star achievement when they
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read the newspapers or listened on the radio. So he
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might be wondering why I'm bringing up Carl Hubble of
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all people on the Make Believe Ballroom. Well, I bring
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him up because one of Hubble's go to pitches that
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he threw during his entire career is some what enshrined
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in the title of a popular big band song, and
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I'm going to tell you about that pitch right after
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the record.
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The dipsy doodle is a thing to beware. The dypsy
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doodle will get in your hair, and if it gets you,
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it couldn't be worse. The things you say will come
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on and re wirst like.
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You love I and we love you.
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That's the way the dipsy doodle words they doodle is
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easy to buy. It's almost always in the back of
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your mind. You never know where it until it's too late,
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and then you're into a terrible state like jumped. O't
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borrow the cow head. And that's the way the dipsy
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doodle works. When you think that you're crazy, you are
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the victim of the dipsy doodle. But it's not your
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mind that's hazy. It's your tongue that's a fault, not
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your noodle. You'd better listen and try to be good
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and try to do all the things that you should.
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The gypsy doodle will get you. Some days you'll think
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you're crazy. The things that you'll say, like rhythm God
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I am hot am. I that's the way the dipsy
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Doodle works.
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Dipsy Doodle composed by Larry Clinton and recorded by Larry
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Clinton and his orchestra in the version we just heard
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with a vocal by b Wayne So. As the story goes,
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Larry Clinton was an avid baseball fan and one afternoon
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he was in attendance at the Polar Grounds. Now, Carl
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Hubbell had a famous pitch. It was a screwball that
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time and time again baffled hitters, and the pitch was
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affectionately called the dipsy do. The dipsy do. Now, when
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Larry Clinton in the stands since that Hubble was going
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to throw that pitch, he stood up and yelled out,
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give him the old dipsy doodle, Carl. So, this accidental
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phrase from dipsy doo to dipsy doodle stuck with Larry
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Clinton throughout that day. After he left the ballpark. That
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same evening, Larry was hanging out at the Onyx Club,
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which was a jazz club on fifty second Street in
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New York City. And at the time, fifty second Street
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was a renowned street that was well, it was literally
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filled door to dora with the greatest jazz clubs of
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the era, and at the Onyx Club they had something
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that was kind of unique. If you ordered food, the
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back of the menus were printed with a blank music
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score sheet. That same day that to Clinton yelled out
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dipsy Doodle. He wrote the melody to dipsy Doodle on
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his menu. Now, Larry Clinton didn't have a band of
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his own at the time. He actually wrote dipsy Doodle
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for the Tommy Dorsey Orchestra, who's nineteen thirty seven recording
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featured vocalist Edith Wright, and the song topped the Hit
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Parade charts. So Dorsey thought that that song made Clinton
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so well known because he composed it and arranged it
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that Larry was able. As a result of Dorsey's enthusiasm,
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he was able to start his own band with the
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financial backing of Tommy. Clinton's own band further popularized dipsy
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Doodle by using it as its theme song. So a
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little story about Howard Tripp to the Ballpark created both
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a number one hit as well as a new band.
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Hard and Soul. I've been in love with you hard
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and soul the way a.
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Fool would do madly.
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Because you held me its high and stole a kiss
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him the nye.
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Hard and soul.
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I beg to be adored, lost control and tumbled over
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fod gladly.
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That magic night.
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Weekess they're in the moon missed. Oh but your lips
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were really.
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March too, really.
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Never before were mine soul strangely willing, But now I
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see what one embraced. Can you look at me? It's
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got me loving you madly. That little kiss you store.
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Yelled of my heart and soul.
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Oh but your lips was drilling.
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Too, grilling.
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Never before were my soul.
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Strange le willing, But now I see what what abrace
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can do. Look at me. It's got me loving you madly.
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That little kiss your store held on my heart and soul.
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From Victor Records, Heart and Soul by Larry Clinton and
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his orchestra vocal by b Wayne, recorded in New York City,
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September the first, nineteen thirty eight. So a couple of
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Larry Clinton records just for you. On the one the only,
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the original make believe Ballroom, I'm Jeff Bresler and a
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listener's email coming your way after this.
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Gone, and I'm mad who walks him?
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When I woke out and who gives you that? Heidi
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high baby?
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Who's that?
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Who's got me jealous on you? Who walks him?
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When I woke up? Come tell me?
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Don't you know you're my baby?
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Who's that?
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Who's got me very worried too?
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Yeah?
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Marry when we kids?
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I kind of miss is something that just because every
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day while I'm away, I know.
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You're going up time when I'm out of time now?
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Who walks him? And I woke up? And who gives
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you that?
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Hilli high baby?
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Who's that?
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Who is got off and jealous?
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Assing on his master's voice? Who walks in when I
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walk out? British bandleader and also American based bandleader for
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quite some time, Ray Noble. That record recorded at the
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Abbey Road Studio in London on February the first, nineteen
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thirty four with an al bowley. I guess you'd call
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it a talking vocal on that one. I'm Jeff Bresler
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and this is the Make Believe Ballroom, and on my
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computer screen here in the Crystal Studio, I have waiting
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for me an email to read from Jim Manning, who
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lets us know he listens in Fort Lauderdale, Florida. Jim
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Wrights Hi, Jeff and Gang. I listen each week in
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Fort Lauderdale, and I have always been a huge Bing
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Crosby fan. It appears that Bing was not selfish or
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intimidated by sharing the studio microphone with some of the
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greatest vocalists of his era performing duets. It would be
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grand if you could play yodel and jive with Bing
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and the andrew Sisters, one of my favorites, although many
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of your listeners are probably more familiar with pistol pack
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and Mama. Keep up the great work on your program.
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And that is signed Jim Manning. Thanks Jim for your email.
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Ben Crosby did, indeed enjoy recording duets with vocal groups
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like the Andrews Sisters and the Mills Brothers, as well
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as greats like Louis Armstrong, Connie Boswell, Johnny Mercer. I
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think he recorded a duet with Bob Hope. Also recorded
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duets with some of the classic crooners from earlier in
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the era, Al Jolson and Eddie Canter, those great folks,
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amongst others. So at your request, I play for you,
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mister Manning yodelan jive.
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Since Jackson went over to Switzerland, he helps haven't been
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the same since he started practicing yodeling.
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He's on the road to fain and back in the States.
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He really rates as peoples anyone could and the headline say,
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you know the papers he said, your little boy makes good.
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Hold lady, Hold lady lady.
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He sings as yodel and ChIL yo hold.
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And giant holding lady, holding lady lady.
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The mountains echo is your lynchi.
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Holding lady, holding Lady lady.
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The mountains echo is chive your hold and.
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Child hold lady, holding lady lady.
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The mountains thatch is jive again.
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Sometimes the yonds so sweetly to immitaate the.
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Swiss holy old lady. But the echo comes back like this,
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Yo ho ho, hold on lady, hold lady lady.
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The userbas alive with jodel.
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And giant hold lady, holding lady lady.
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The mountain's echo is yold ln jive you holding lady,
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holddle lady.
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They sing my yodeling, give the yodeling giant.
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Holding lady, hold the laddle lady.
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They sing my orderling, give all day.
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Your hold hold lady, hold lady hi joy.
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The mountains echo my give my yodeling giant.
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Hold lady, Hold on lady, hi joy.
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The mountains ech on my jive each day.
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Sometimes you do so so sweetly to hear my taint,
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so sweet Holy, hold lady about the heckle comes a black.
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Like them, the holding Lady, Holding Lady Lady, the hills.
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The role is alive with yodeling giant your holding lady,
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Holding lady lady. The mountains that on my yodeling give.
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Some Dante yodas, so sweetne you elmast take the Swiss.
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Old lady about the echo comes back like the hold Lady,
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Hold lady. Ladys are always alive. But yodl and giant
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hold Lady, Hold lady lady, the Mountain.
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Holding and jib, recorded in nineteen thirty nine on Brunswick Records.
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The yodel and jive bring Crosby and the Andrews Sisters
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with the joven orchestra and Joe's wonderful violin bing did
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some great yodeling on that Brunswick record. A few days ago,
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I was listening to a long forgotten female vocalist who
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was popular in the late twenties all the way into
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the beginning of the nineteen fifties, and I just thought
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of her while playing yodeling jive, because she too could yodel.
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The record I listened to by this female vocalist was
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not a yodeling record, but a song that went on
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to be a classic American standard. Let me see during
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